Rare Bird was increasingly sounding like an American band on a rather lightweight album, far from their more progressive roots. Nothing wrong with that and they do it rather well. Taken for what it is, the desultory reviews were a bit unfair. Rare Bird remain great song writers. ‘Diamonds’ is a good funky example; the music is easy on the ear. This song and ‘Last Tango in Beluah’ (over long perhaps?) made it into their live act. (Also ‘Lonely Street’ and ‘All That I Needed’ –

An alternative sleeve, no longer gatefold, 200g vinyl. The ‘Cirkus’ track sounds very different to the original and was produced and mixed from the original tapes by David Singleton and Alex ‘Stormy’ Mundy. In extremis ‘Happy Family’, the track that inspired the name of a Japanese prog rock band, is presented as an instrumental. A lot of liberties are taken with the drums and percussion as well basically to demote them to either not being there at all or much reduced in volum

DUKE ELLINGTON-Extract from unfinished book “A Jazz Supreme.” Duke Ellington ’s Hot Five  band was put together to record in a makeshift recording studio, OKeh in Chicago. The Hot Five had a classic line-up : Lil Hardin  on piano; Johnny Dodds  on clarinet; Kid Ory  on trombone; Johnny St.Cyr  on banjo and history was about to be made. As Ted Gioia describes, Armstrong’s playing just got better and better as 1926 went on as he displayed “increasing fluency in the upper regist

The best introduction to Armstrong’s music came out in 2020: Satchmo: The Decca and Verve Years 1924-1967 . It begins with Shanghai Shuffle with the Fletcher Henderson  Band- even though it has not transferred well from its crackly ‘78’ manifestation, it remains essential, a joyous romp with sublime syncopation. Solos follow solos on New Orleans Stomp while Black Bottom Stomp has some fast-paced tooting and may well be the ‘rave’ music of the day- although you’d need more spa